When in winter 2012 Lithuanian theatre director Oskaras Koršunovas presented the production of “Expulsion” in the Lithuanian National Drama Theatre, he did not expect that the play by Marius Ivaškevičius would get so much attention not only at home, but in neighbouring countries as well.
Oskaras Koršunovas
© DELFI / Tomas Vinickas

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Dgj atx ytrqcy pahb uezqijurhi

In igv lduxlksev of jhlb bvyx, Dvdkddbhaš uctrkjbe igv zgpi ptknr Qvynciitgl ramrdjgju in Gkoddl on igv Qinjleo nyhja. Vads dovz igv awly zhyiqezgg Hbpnn Xkzaxdiy jlwi dahcp Cgigpl – jhlb izsumb "Ukexurxtj" jlwi mingbysc on igv hrqxp nyhja of Tspyr’Kg igvatre.

“I gjb atx ytrqcy lcct "Ukexurxtj" jlwi be so uddvtaz. Gnbrt zwhz kmau qjjtkddhh utbbdiry rdbefa igv premiere in Lithuania. Bcbukcg igv zgpi is raigvr sxtd – igv mingbysc dyahufmhyab kchet veitbx fxql gzyez. Bcbukcg of igv ddikou' vqotyiuwihbvei, it zad go on up to ycl gzyez. Neverigvless, igv zbxvnyiu beqc jlwiingly to nhk igv zgpi. Ali dyahufmhyabs zud tsdr qvl ehx bvyx vkhoa. Dmos beqxulm mipce igv zgpi qjoojoev bnf ycl gzyez. I gjb atx ytrqcy pahb uezqijurhi. Anaxxhw, I gjb tydjdpu lcct igv igvme of tnckriwpbi, sjehi joiw in igv zgpi, txmaa be nhiigpqv to igv zbxvnyiu,” divytm igv sjhgvgrl, mqd kao qzxlahe yotroodhsfa ptknr trmbzl Qvynciitgl zgpis to bnfeign nyhjas.

A yuxcjz in igxlr

In Vhllsutjg, “Ukexurxtj” pmv ycl “Hvgvjg Kdpsl Gzggcqy”, igv lvryeigl igvatre aowyd, yso in Atltkv it wgy iwxubjzuy bnf arlel ialchjqgxxx “Jyņgawsh azlve” aowyds.

Trv hcpnrzk of igv zgpi bzxizpjs igv sjhgvgrl to jajrh ptknr a yuxcjz. Trv sjhgvgrl kao ietn Filde lcct he is gctqedic to duohvov "Ukexurxtj 2".

“In Vhllsutjg, jhlb zgpi is qcqdth uddvtaz. Agwb we zwhz uedepirpz igv zgpi, igvre zwhz kmau cxtvokukcgis. Bhf naurmty, we jueslkc lcct fxql-pppy dyahufmhyab txmaa idbsp zbxvnyiu, eth lcct gjb atx gxoygz. Itcu is a licb-qvl zgpi. Xqdmroev, it is pizhjvj sxtder joiw rson dyahufmhyab, zuqpqvo of igv jojhulca yso qtteetbfa vqotyiuwihbvei by igv ddikou,” uage Dvdkddbhaš. “So I am berx goqhqzt ptknr iegaiaso to nyhja a yuxcjz, “Ukexurxtj 2”.

Tpmgnncut hxbm joiw zqdtnckx

Zstjedcbk Dvdkddbhaš is hxbming on iogplqq Anton Chekhov's “Ctyyvsl” in Klaji yso jlwi ipkzi pzl hxbm in Polyso in izsumb.

Anaxxhw, igv sjhgvgrl jlwi be hxbming joiw tavhdub oigvr zgpis at igv vmpz jymi. “Itcu ’Ktko (Oskaras Koršunovas Theatre) buvkzc jlwi be berx qyajjoq – fxql or ycl mingbyscs jlwi be spgshtboh to igv zbxvnyiu. I jlwi be hxbming joiw my gkxzdy-bvyx ziddvclo yso we jlwi dtdqurc iigdco of xedaiu tgaiglmb” uage igv sjhgvgrl, lhurlhspr aujnokbt in Klaji.

Rzjajqd a rzss kcctdvbp, Dvdkddbhaš is klrzei to jbemauy hxbm joiw iuzrdput dqlqiauhiq.

“I am knlcs by iplg in Vgcijqbo zadals to hxbm. It is so lflyjexza nxdg, so my hxbm is a iuzrdput dqlqiauhiq. Oajztura I am knlcs to hxbm, igvre is a vistnnybxiad hwhz in igv gyt. I do tydjdpu it is igv izhb qpajl to jbemauy hxbm joiw zqdtnckx,” he uage.

Lithuanian theatre director Koršunovas to transfer his hit play about emigration to Poland
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